Credyd y ddelwedd: Shannon Tofts
Mae Fitch a McAndrew yn grochenwyr o fri rhyngwladol sy’n byw ac yn gweithio yn Dumfries a Galloway, yr Alban.
Daethpwyd â’r partneriaid mewn busnes ac mewn bywyd, Doug Fitch a Hannah McAndrew at ei gilydd gan gariad a rennir at lestri pridd addurnedig slip a chrochenwaith hanesyddol, traddodiadol. Maent yn mwynhau bywyd gyda’u dau blentyn ifanc, yn eu cartref a gweithdy gydag odyn tanio coed sydd wedi’i chuddio yng nghefn gwlad hardd yr Alban
Dywed Doug Fitch : ‘I work in red earthenware clay, the pots simply decorated, with appliqué decoration or sgrafitto, using a basic palette of traditional slips that are made from natural raw materials. The majority of my pots are thrown on the wheel with some press moulded dishes, decorated with freely trailed lines.
The forms, principally large jugs, draw influence from the work of the medieval potters of England and the subsequent tradition of slip decorated country pottery that was prevalent in this country until the early twentieth century.
I’ve been making pots for most of my life. It’s a strange thing, to be excited by something as simple as a brown clay jug and I can’t explain it, but it seems that it happens to some people; it just gets under your skin.’
Mae Casgliadau Cyhoeddus yn cynnwys Amgueddfa Fitzwilliam, Caergrawnt, DU; Amgueddfa ac Oriel Gelf Dinas Plymouth, Plymouth, DU; Canolfan Celf Ceramig, Efrog, DU; Amgueddfa ac Oriel Gelf Shipley, Middlesborough, DU; Amgueddfa Cerameg Mun-Gyeong, De Korea.
Dywed Hannah McAndrew: ‘Britain boasts a particularly fine tradition of slipware pottery. I draw on this rich heritage and use it as the basis for my own work, where I attempt to capture the essence of these historical pieces, reinterpreted in a contemporary style.
Predominantly, I make pots with a purpose. However, I enjoy the challenge of creating a piece that will not simply perform its task well, but will be attractive to the eye and instil a sense of comfort and warmth to its surroundings. My pots are thrown in red earthenware clay and decorated using coloured slips. The decoration is applied to the surface of the pot by use of a slip trailer, while the surface is still glistening wet. Sometimes I allow the slipped surface to dry a little, so that I can inscribe motifs with sgrafitto lines. These slips are subsequently enhanced by the addition of a layer of rich honey glaze.
Although personal fulfilment takes precedence over financial gain, I am able to survive by spending my days investing time and passion into the thing that I love. My life is my work and my work is my life. This is a rare and fortunate privilege that I never lose sight of.’
Cynhwysa casgliadau cyhoeddus Amgueddfa Serameg Mashiko, Mashiko, Japan.
